I am in the middle of a series celebrating my own fidgety hands—and the hands of all of us who make things with our hands, talk with our hands, worry with our hands.
There is a little drawing of me as a young child that a friend of my grandmother’s did. I didn’t know her, she just wanted to practice drawing. I had to stay perfectly still for an eternity in a little wool suit. It was probably 20 minutes. I remember the artist becoming red-faced and frustrated because I wasn’t staying still enough. Especially my hands. I thought she was angry at me which made me more anxious and fidgety. She finally gave up, exasperated.
Perversely, I still have the drawing. As an artist now I look back on it and find the hands the most interesting part.
So that’s part of the inspiration behind this series. The other thing that moved me in this direction was running into a small show of Naoko Matsubara’s wonderful prints of hands at the Art Gallery of Ontario a few months ago. Brilliant!
Below is the price list from The Second Wedge where my work will be showing until February 7.
Please note: #4 and #7 and #10 are now sold.
This will be showing at The Second Wedge, Uxbridge Ontario from December 10 to February 7 with the OPENING on Saturday December 13, 1-4.
The Hands are the stars of the show. Below are good pictures and approximate sizes of the hand series so far.
1. Self, I Suppose 7” x 12” $500.002. Wrestler 7” x 9” $400.003. Still Point 8” x 11” $500.004. Know Thy Self, 5” x 15” $600.00 SOLD5. Self (Busy Behind the Scenes), 11” x 12” $500.007. Holy Place 10” x 10” $500.00 SOLD8. Self Care 5.5” x 8” $400.009. One hand Holds the Other 4” x 7” $250.0010. Making Things—like Disguises for Example 8” x 11” $500.00 SOLD11. What is Your Name? 9” x 8” $400.0012. Self 11” x 11” $500.0027. Take Care 13” x 13” $500.0028. Animated Hands 13” x 13” $500.0030. Making Things 8” x 11” $500.00
Escape 5’ x 5’ Acrylic on carved basswood and plywood $3000.00Eye 20” x 20” Acrylic on carved basswood and plywood $800.00BIRDSONG 2’ x 2’ acrylic on hand carved basswood and birch plywood $2000.00QUICK PRAYER 2’ x 2’ acrylic on hand carved basswood and birch plywood $1500.00CANADA 12’ x 12” acrylic and gold leaf on hand carved basswood $800.00Through a Glass Darkly Acrylic on plywood $3000.00SPLENDOUR 6” X 6” acrylic and gold leaf on hand carved basswood $400.00FRAGILE WINGS 6” X 6” acrylic and gold leaf on hand carved basswood $400.00ILLUMINATION 6” X 6” acrylic and gold leaf on hand carved basswood $400.00STRONG WINGS 8” x 12”acrylic and gold leaf on hand carved basswood $600.00SWOOP acrylic and gold leaf on plywood $600.00CENTRE detailCENTRE acrylic and gold leaf on birch plywood $5000.00
A few years ago, I thought it would be a good idea to co-organize a show of some former David Kaye Gallery artists who I particularly admired. A shout-out to then Propeller member Janet Read who initiated the process and championed the vision. And it was a GREAT show! That was “TOUCH”. I am VERY happy to say that Loree Ovens has taken the reins and organized “TOUCH 2” April 17 to May 5, 2024 at Propeller Art Gallery, Toronto. We just finished setting up our work and it looks wonderful.
Same artists; new work: Dorothy Caldwell, Kai Chan, Ann Cummings, Susan Farquhar, Vivienne Jones, Susan Warner Keene, Valerie Knapp, Susan Lindsay, Susan Low-Beer, Lynne McIlvride, Loree Ovens
The exhibition contains a variety of media including textile, ceramic, jewelry, sculpture, paper, wood and mixed media.
Opening reception: Saturday, April 20th 2-4pm. Closing Reception: Saturday, May 5th 2-4pm.
TOUCH2 is part of Canadian Art Hop! Canadian Art Hop Events: April 26 to April 28th. Loree Ovens (and possibly others) will be giving free informal 20-30 min talks about the exhibition at Propeller Art Gallery. On Sunday, April 28th the gallery will remain open until 5:30pm.
It is my pleasure to present another annual Easter Art Show of my recent work. March 29, 30 and 31 from 1:00 to 5:00 daily or email for an appointment (LynneMcilvride@icloud.com). 14260 Marsh Hill Road Utica Ontario. I look forward to seeing you! I am working on a new exciting series of painted basswood CATS. As usual, there will also be older work including the painted relief sculptures dedicated to Ken Welsh.
Here is a link to a talk I attempted for the Colour Research Society.
These 7 new cats are acrylic paint on hand carved basswood. They are all just slightly smaller than cat-size. I haven’t named or priced them yet but prices will range from $600-$800.
I am happy to be in a Toronto show with these three friends.
I, personally will be exhibiting cats. Yes, cats. 14 of them. I started this series when mine died this past summer. They leave such big holes for being so small: in the upholstery AND in the heart. I will gradually have them all photographed here with prices. Almost all of them will be $600.00 and they measure about a foot across. Acrylic paint on carved basswood. For more about the show, click HERE. For inquiries email me LynneMcilvride@icloud.com.
Hello!! Time to make an appointment to see my work on the Uxbridge Studio Tour weekend, Sept 19-20. Email me as soon as you know when you would like to come, how long you would like to stay (15 to 50 minutes) and how many are in your party. Here is the Uxbridge Studio Tour webiste. There are over 40 wonderful local artists: some will be participating only virtually and the rest by appointment. Masks and distancing inside, social distancing outside. See my other post, “How to Visit an Artist”.
We are all trying to figure out how to do things differently, how to stay healthy and make the world as safe as possible for others without becoming completely neurotic hermits. I have been a part of the September Uxbridge Studio Tour for 30 years and we had to decide: should we cancel the tour this year? make the tour online only? should we be open by appointment? We decided to leave it up to individual artists to a certain degree. Nobody will be open in the normal drop-in kind of way. Some have decided to show only online on our website, many others, such as myself, have decided to be open by appointment, whether inside or outside their studios. I am excited about this because appointments worked very well for me in my “Easter in July” studio show. In fact, I preferred them! I had more opportunity to give people individual attention; I could pull work out I knew visitors were interested in; students could ask all sorts of questions; people were diligent about wearing masks. It was fun! I think this can work for the studio tour too. The thing is, it all depends on you wonderful people who actually go on the tour. This is going to take more organizing on your part but I think you will find it a much richer experience than the ordinary way of doing things. I would advise you to see which artists are open by appointment. See the Uxbridge Studio Tour website for that. Then figure out who you really want to visit. I would start making appointments as soon as possible because inevitably people will have to be turned down since the studio tour is only 2 days long: September 19-20. So start with who you would most want to see, contact those artists in whatever way they want to be contacted (see info on wesite) and work around those appointments. Make sure you know how long the artists expect you to stay and know the distance between your appointments since that can vary between 5 and 40 minutes! (consult google maps or ask the artist the distance between their studio and the previous artist on your appointment list.) Whether or not this works will in part hinge on visitors being on time–and on artists letting them leave. We are in this adventure together! I am attempting to write a daily post on facebook about all the Studio Tour artists this year. Join me there!
Being a fool myself, I suffer them gladly. You might say, I’m a bit foolhardy.
I’ve told this story many times to many people who have needed to hear it. I have been trying to write it down for years. The following is the story of Billy Parker:
Seven years ago, I was drowning in grief for the loss of my 27 year marriage and had just started living very much alone in my little cottage with an art studio steps away. I loved the place immediately: it was the perfect place to weep and I wept it clean. I remember eating toast alone every morning, afraid I would choke on inhaled crumbs as I gasped between sobs. I had just one week earlier finally taken off my thin, miss-shapen wedding band and placed it on the nail that held up a calendar, stuck on an earlier month. I hadn’t laughed in months. I was quickly getting to know my new neighbours who share my driveway, a thoughtful and caring couple of retired teachers, who I will call Al and Wendy Nees. It was a very snowy early March, about 5:00 in the afternoon. The stage is set.
A knock on the door. I was surprised to see a strange little man, head angled forward, smiling with unbridled enthusiasm. He looked wiry even through his dark winter clothes: a friendly jockey; a hungry garden gnome. His voice was loud and enthusiastic. Hi! I’m Billy Parker!I‘m cycling cross Canada (in the snow, remember). I depend on strangers for a place to sleep.Just one night each place. I’ll be gone before you’re up.You can look me up on the computer! SOMEBODY’s writing a blog about ME! He sees I am looking slightly uneasy, confused… Now…I know you’re a singlelady(he says this as if it’s one word) —I can tell by your car……. so I’m not going to ask to sleep in your house but….what’s that building? That’s my studio, I said, wondering what else my Pontiac Vibe said about me. I was just about to go do some painting. Well, it’s perfect for me.Just need a roof over my head. Got my own bedding and food. I’ll be gone in the morning. I just need you to help put my bike inside. I looked to see that Al and Wendy’s cars were both in our shared driveway and I thought, well….he is either a crazy man or an angel sent from God. His smile disarmed me and I chose angel. “OK” I said. I helped him put his heavily laden bike in my studio thinking if he was a lunatic and committed a crime, his getaway vehicle would be a bicycle in the snow…and I felt safe. Now I can’t pay you, but you can take my picture, he said, smiling as if he had given me a gift. So I did–and I turned up the propane stove and as I left, I said “is there anything else you need?” Well, I could do with some grub, he answered quickly, ignoring what he had said earlier about having food. I gave him the choice of spaghetti or steak and he chose steak with a pure and childlike joy, astonished at his own good luck. I told him to come into the house at 7:00 when I planned on asking Al and Wendy if they would like to join me for a drink. I wasn’t sure I wanted to be alone with this holy fool but I sure wanted to hear his story!
Now unbeknown to me, Billy had stopped at every other house on my country road including Al and Wendy’s. Wendy doesn’t miss a thing and I can imagine her mortified look as she and Al followed the crazyman with their eyes from their house to mine. Al! Al! She’s letting him stay! She just helped him put the bike in her studio! What are we going to do? He could be dangerous! What is Lynne thinking?! When I shyly phoned to see if they would come over while Billy ate his steak, I was surprised at how quickly they said yes and how relieved they sounded.
So I made Billy’s supper with the last steak I had nicked from my ex’s farm. He, Al and Wendy met at my house at 7:00. We all sat around my hand-painted table. I put the steak before him with a salad on the side. He drank the wine I offered and for the next three hours proceeded to tell tales of his travels so tall I laughed the entire time at the absurdity. I couldn’t stop laughing. Let’s see… there was the time he stayed the night at a butterfly collector’s house but none of the wings matched. He met a counterfeiter of Canadian tire money and also a prostitute who accepted Canadian tire money. This went on and on. He didn’t stop talking even to eat until finally Wendy stopped him and said, “ Billy, Lynne has made you that nice steak and you haven’t touched it for the last two hours. Are you going to eat it? His reply was mysterious and in my new frame of mind, hilarious. He said Nope not yet. I’m just going to drink wine and talk and when I go back to Lynne’s studio to sleep I’m going to bring the steak with me and cut it into strips with a pair of scissors. Then he looked at the salad and said, and I’m allergic to that green stuff. Then he told stories for another hour and wish I could remember them all. They were crazy tales and I laughed and laughed. I felt under a most hilarious spell. I do remember taking my attention away from him for 5 seconds to ask Al something and when I turned back to look at Billy, he seemed to have fallen asleep sitting at the table until it was his turn to talk again. Just before he was ready to head out into the studio with his scissors and steak, he leaned back in his chair, looked around and said, In my travels I stay at a lot of different places. I stay at some normal places and some weird places. This is definitely one of the weird places. I’m not sure why he said that: it could have been my slightly unconventional decorating or it could be the large series of tornado art-constructions in my studio. Regardless, I found this too hilarious. He thinks I’m weird?! Looking back I felt honoured. He was true to his word and left in the morning before I was up after having coffee with Al and Wendy who still now rise hours before I do.
I can’t say I recommend my course of action to everyone. But in this instance I am grateful I let this fool stay. I thank God even now for this gift. I never before (or since) laughed so much in one night and this laughter broke down so many roadblocks and walls, disarmed ogres, made demons flee….and started a very nice friendship with my neighbours.
Be not forgetful to entertain strangers: for thereby some have entertained angels unawares.