Hello. I have been continuing my theme of “Epiphanies” which I will be happy to show you at The Uxbridge Studio Tour, September 14 and 15. More beadwork, more woodcarving, more colour riots. Francis Muscat was in my studio the other day and and described the series as Psychadelic Baroque.
This last one is a video. Click to see on instagram. All work is handcarved basswood with inlaid glass beadwork and acrylic paint. Oil paint is added to some and many have gold leaf applied. Here is a LINK to the Uxbridge Studio Tour Brochure. I will have extras you can pick up at my studio. I am Site 24: last but not least!! My guest artist is magnificent ceramic artist, Ann Cummings.
Oh my goodness, what a trip! I spent this summer making art at an artist residency in Italy and looking at art and architecture in London, Malta, Sicily and Naples. I am currently in a two-person show in Toronto in which I begin to process everything. My part of the show is called “taking wing”. Below are some of my images from the show, in invitation and my artist statement. The opening is this Thursday November 10, 2016. Join us!
Neapolitan Traveling Mercy
Traveling Mercy: Palermo
Fishing Boat (Malta)
San Michele in San Potito
Traveling Mercy: Sicily
Traveling Mercy: Caltagirone
I did take wing recently. Most of the small work here is the initial unpacking of my summer’s trip to southern Italy and Malta (bracketed coming and going by the Sainsbury wing in London’s National Gallery).
I was awestruck, of course by the ‘angels in the architecture’: an intimate polychromed sculpture of San Michele the Archangel in a private chapel in San Potito; Caravaggio’s pigeon-winged angels in Naples; the cherubim and seraphim holding up the corners of the cathedral in Monreale. There were marvellous and exquisite wings everywhere–sometimes real ones. In some windy towns like Caltagirone, white feathers flew constantly like snow. I don’t know why.
I call my winged pieces ‘traveling mercies’. That phrase is stolen and only slightly misused. Thirty years ago in the local Baptist church, men in terrible brown suits bellowed prayers thanking special speakers for coming and asking God to grant them ‘traveling mercies’ (protection on their journey home). It was an eye-roller even then and I like to reimagine ‘traveling mercies’ as actual creatures: guardian angels on the road. I certainly met some and am thankful.
Another way of taking wing is by boat. I was taken by a series of little blue docked fishing boats in Malta. Looking from the boardwalk above they were dreamy altars or shuttered windows as well as boats obviously (Dghajsa in Maltese). They inspired my sardine can boats, packed accordion style with important art, mysterious messages and other supplies. More than you’ll ever need. More than you can ask or imagine.
Lynne McIlvride: Storm Seller
After re-reading my artist’s statement, I am reminded that there is so much more to process that deeply moved me and inspired me… I’ve barely scratched the surface. Aside from the wondrous beauty I found in the art and architecture, there were very wonderful and helpful people in each part of my journey. These meetings and their significance will slowly seep into my artwork. Regine in Malta, Phyllis in Palermo, Angelica & Gilda in Caltagirone, Anna in San Potito. There are many more and unless they read this, only I know their significance. Anyway, Here are some random wonders.